A
New Year in Stanley
- 1952 The
perception of Hogmanay through the eyes of a child. By
Exile An
electric hob, a bed, a sink, a carry-cot in blue an’ pink, A
roarin’ fire o’ logs was spittin’, and on the sideboard my
mither’s knittin’, In
an upstairs Store Street ‘single end’, 1951 was about tae end, Neighbours
crammed in everywhere, three o’ them were on a chair, Five
o’ them were on the bed, fully dressed it must be said, The
rest were standin’ on the flair, there wasnae room for any mair, The
heady smell o’ port an’ sherry, the ruddy faces, contented, merry, The
distinctive odours o’ tobacco smoke an honest sweat frae honest folk, Scorching
heat frae the glowing fire, mixed wae booze frae Clarky’s Byre, Generated
bonhomie in the extreme, in fact, it could have been a dream, I
should have been sleeping hours ago, but I stayed up tae see the show, This
wasnae’ just another day, this was special,….Hogmanay, When
they sung ‘The Wild Colonial Boy’, it sounded like Bendals collie dug
‘Roy’, But
Jimmy Stewart was in good voice, ‘A Gordon for Me’ was his regular
choice, The
“choir” enjoyed the 23rd psalm, and Cully’s rendition
o’ “Nicky Tams”, Singing
the ‘Muckin’ O Geordies’ Byre’ Jock Cowan near stottered in the
fire, Saved
by Snider who singed his arse, hysterical scenes o’ hilarity an’
farce, They
roared wi laughter everyone, then stuffed their mouths wi mair black bun, The
Bothy Ballads repertoire passed onto Harry Lauder’s songs at last, Pate
Jack eventually got the nod, an’ “Kept right on to the end o’ the
road“, Purler’s
glass was overflowin’, Puggit
was ‘Roamin’ in the Gloamin’, Trotsky’s
“Stop yer Tickling Jock”, was applauded throughout by Dolly
Hancock, Just
as we thought there would be no more, Jeanie ’Brush’ “Parted on the
Shore”, Vigorously
accompanying a’ the tunes, was Jock an’ Spud, playing spoons, Electrifying
energy , bawlin’ an’ roarin’, colossal consumption, gulpin’ an’
pourin’, Unbelievable
excitement waitin‘ for the ‘bells’, the anticipation was utter hell, Then
Mean Thomson’s wig fell off her head, an’ landed just beside the bed, Whaur
Holy Maggie had settled doon, she filled her breeks an’ left the room, Half
bottles were flee’in everywhere, nae’ body seemed tae have a care, Exceptin’
Mean without her wig, yon sight wid gie a ghost a flig, The
room fell quiet, the wireless squawked, they stood in silence, no one
talked, Big
Ben announced we had reached the time tae raise the roof wae ‘Auld Lang
Syne‘, Bells
rung out tae a resounding cheer, glasses clinked wae whisky an’ beer, Out
wae the old, in wae the new, here’s tae us, whau’s like us? the answer
damn few, Auld
Postie Panton, maist like tae be seek, kept on repeating “lang may yer
lum reek“, Handshakes
an’ kisses, grins frae ear tae ear, everyone shouting ‘Happy New
Year‘,
Addendum Recalling
the scene on that night, it wasnae a very pretty sight, Folks
wi warts an’ plooks an’ boils, ears an’ noses like gargoyles, Grisly
men wae hairy chests whau wore long drawers an’ longer vests, Gallusses
an’ corduroy breeks, an’ hadnae had a bath in weeks, Harris
tweed bonnets on their heads, they even wore them tae their beds, Occasional
teeth an’ hairy ears, they’d come to celebrate New Year, For
a’ their faults an’ superficial flaws, they folks had lived through
two world wars, Trotsky,
Cully and Peter Jack were entitled to look forward an’ no look back, The
past meant hardship and exploitation, New Year was a total release of
emotion, A
pivotal point o’ hope for the future, a reminder we're only one o’
God’s creatures, Be
proud o’ yer background, family and friends, drink tae their health as
this year ends Remember affectionately wha’ went before us, Effie, Dora and the Store Street Chorus. COPYRIGHT – Calluna Publishing
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